Rosas y espinas. Representaciones de las mujeres en el arte colombiano 1868-1910

Abstract

This article presents the principal expositions and conclusions of the investigation “ Women invisible Visibles/Mujeres. Representations of the women in the Colombian art 1868-1910". The analysis of paintings, drawings and lithographic series of pictures of customs during the select period shows how the representations of the women were legitimized by models differentiated for the different social sectors. The used methodology is own of the Cultural History that studies the representations and the diffusion and traffic of the cultural productions.