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Ítem En la búsqueda de una identidad artística a partir de referentes musicales como el bolero, el R&B y sus derivados(Universidad Icesi, 2023-12-21) Muñoz, Sara Daniela; Gutiérrez Sierra, Paulo CésarThe author's purpose is the combination of two musical genres, bolero and R&B, demonstrated in the composition and production of three phonograms that reflect the influence of both, in order to provide a new perspective to the union of the two genres that the author is most passionate about and contribute to the definition of her identity as an artist. The conceptual framework that supports this research process includes the investigation of the origin and roots of both genres, as well as a study and analysis of distinctive characteristics and elements of each of the genres, such as lyrical, harmonic, instrumentals, etc. The methodological framework is responsible for demonstrating the use of the resources investigated in the conceptual framework, such as the history and lyrics of each phonogram in its composition, rhythms and techniques used for the recording and production of each instrument, for each one honors one of the genres investigated and in this same way they are focused on the editing and mixing of the phonograms. Finally, this project seeks to provide a new perspective to musical diversity, relying on musical references from both genres, in order to enrich the union of bolero and R&B in the current music industry.Ítem Una mirada alterna a los aires del Pacífico colombiano: elementos rítmicos y sonoros característicos del Bunde, el Bambazú y de los cantos de Boga extrapolados hacia los géneros musicales alternos(Universidad Icesi, 2025-01-10) Vanegas, Gustavo Andrés; Sánchez García, FrankThe following research aims to find a way to integrate rhythmic and sonic elements distinctive of the Bunde, the Bambazú, and the cantos de Boga, typical from the music of the Colombian Pacific region, for their implementation in alternative musical genres. This was achieved through experimentation, the result of which is presented as a phonogram composed of three songs, each of which required a prior investigation process, the use of participatory methodologies and community music, and the development of production strategies in line with the traditional context from which they arise.